All For a Song: Lessons from the World of Songwriting

Great grant writing lessons from song writing.

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Pain is pain, hunger is hunger, joy is joy and to call them anything other in the hopes of making your story seem to be more important may well be putting your reader on the outside rather than bringing him or her inside.  Great songwriters overcome this challenge and, from them, we can learn some valuable lessons about writing.

In some recent posts, I have explored the idea that when it comes to writing a proposal, fewer, well-chosen words can be the most powerful way to convey an idea or information.  Certainly, Tony Proscio touches upon this idea more than once in his treatise “In Other Words” (see my prior blog post about Mr. Proscio’s work) where jargon tends to obscure rather than clarify.  And certainly, repetition and long-winded narrative does too; writing this brings to mind Martin Teitel’s wonderful acronym that is banded about foundation halls — MEAGO, which…

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About Scott Cargle

Scott is a nonprofit consultant, specializing in fundraising, business development and grant writing for arts and education organizations. He has worked with dozens of arts, education and community organizations in Los Angeles and New York. He has raised funds from the National Endowment for the Arts, New York Times Foundation, James Irvine Foundation, NY State Council of the Arts, LA City Department of Cultural Affairs, LA County Arts Commission, Jewish Community Foundation, and many others. From 1993-2006, was the Artistic Director of the Shakespeare Project, which presented large-scale outdoor productions, free in parks all over New York City. Over a 12-year period, he grew the budget from $800 to $400,000, with nearly 95% coming from unearned revenue. Scott has served on grant-making panels, including LA City Department of Cultural Affairs, NYC Department of Cultural Affairs, New York Times Foundation, NY Foundation for the Arts, Alliance of Resident Theatres/NY, and CEC International. He was also honored to serve on the board of directors for the Alliance of Resident Theatres/NY from 2003 -2005. He currently serves on the board of Keshet Chaim Dance Ensemble.
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